We all could be players on the world stage, nevertheless the question remains why we show the psychological responses to the happenings depicted in the fiction, whether in print or visual presentation, just like in real life? Just enjoy dreams our imaginations become presented to us over the mental screen as if we had been watching movies or television. And as in dreams the real world becomes supplanted by the imagined virtual universe even though we are fully alert. That planet has great resemblance to the actual one and what happening in it appears real as a result of something shifting in our cognition school. However, the mechanism which activates our emotional responses stays unchanged and consequently we respond to the fiction in precisely the exact same way as in actual life.
Here we have some similarity with the virtual reality of the modern computer technologies, which is an artificial environment created by applications. It’s introduced to the viewer in this manner that the individual temporarily suspends own belief pattern and takes it as a true environment. In ways it is not different from the occurrence of being transported to the imagined universe of fiction, except that the computer performing the task is in the mind and we have no clue regarding what is the applications and who’s the developer.
That brings us to the cause of emotional response. In regard to fiction the most common emotions are likes and dislikes that could turn into their stronger types of hate and love. In real life we love or hate a person because of some attachment through kinship, friendship, or through indirect understanding of the individual. One cannot love or hate a person one does not understand in any way. Attachment can also be on other living beings, material things, and even to fanciful things. We love or despise a narrative or even a notion. For a typical person it is impossible to live unattached to items in the world. If a person is able to get rid of attachment, one unites the rank of educated souls who are indeed rare. We carry our ability and desire for affection into the fanciful world of fiction. We see the characters we come to understand as the narrative progresses, shape our likes and dislikes, and react in precisely the identical manner as in real life except we cannot interact with them physically. But we do socialize together in our heads and hearts from where the emotions come. We believe the above thoughts and suggestions must be taken into account in any discussion on blog link. They are by no means all there is to know as you will easily discover. We feel you will find them to be beneficial in a lot of ways. It really should not need to be said that you must conduct closer examination of all pertinent points. But we have saved the best for last, and you will understand what we mean once you have read through.
The fact is that in a certain sense life is fiction. Just like a narrative it’s a beginning, an end, and also plenty of things in between. We do not know who writes this fiction will ever understand. So we’ve got an inborn affinity with fiction and cannot fully detach ourselves from it. And perhaps that’s the reason why, while reading or viewing fiction we get lost subconsciously in the wonderland of creativity, but for that short period we operate exactly in the same manner as we want in the real world of our perception. In that sense fiction is just invented reality.
Theme is why fiction things, since it’s the quality that gives the story a universal appeal. Some state theme is exactly what the story is all about, but that’s too ephemeral a definition, which might get confused with all the idea or the plot.
Theme enriches and inspires the reader when saying something profound about the human condition. Theme is the abstract notion behind the narrative forming the story’s heart and soul which the exposition, dialogue, and action reflect every opportunity they get.
Theme isn’t the characters or the storyline or the original idea that started the narrative. By way of instance, a writer may begin with the concept of exploring family connections between women, but as his story progresses, his subject may shape up as understanding and forgiveness between different generations of females. There are some topics on which it is very hard to write any kind of story.
Theme is implied, sometimes without the author’s knowing of it at the start; nonetheless, more seasoned authors typically work on their theme harder than any other part of the narrative as soon as they catch on to what it is they are writing about.
In non-fiction, the writer is suggested to hone in to his theme and start referring to it right at the very first paragraph. In fiction, on the other hand, the motif usually blossoms through the writing as the narrative progresses.